{"id":57381,"date":"2024-11-26T13:13:33","date_gmt":"2024-11-26T19:13:33","guid":{"rendered":"https:\/\/www.imer.mx\/opus\/?p=57381"},"modified":"2024-11-26T16:32:47","modified_gmt":"2024-11-26T22:32:47","slug":"euridice-de-peri-la-primera-opera-conservada","status":"publish","type":"post","link":"https:\/\/www.imer.mx\/opus\/euridice-de-peri-la-primera-opera-conservada\/","title":{"rendered":"&#8220;Eur\u00eddice&#8221; de Peri, la primera \u00f3pera conservada"},"content":{"rendered":"<h2>&#8220;Euridice&#8221; de Peri, la primera \u00f3pera conservada<\/h2>\n<figure>\n\t\t\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"756\" height=\"756\" src=\"https:\/\/www.imer.mx\/opus\/wp-content\/uploads\/sites\/13\/VLO-Euridice-Peri.jpg\" alt=\"\"><figcaption><\/figcaption><\/figure>\n<h4>Sinopsis<\/h4>\n<p dir=\"ltr\" style=\"font-family: arial, sans-serif;color: #26282a;font-size: 13px;line-height: 1.295;text-align: justify;margin-top: 0pt;margin-bottom: 8pt\">Erick Zerme\u00f1o presenta la primera \u00f3pera conservada: \u201cEuridice\u201d de Jacopo Peri, conocido como \u201cIl Zazzerino\u201d &#8211; \u201cEl melenudo\u201d miembro de la Camerata Fiorentina que invent\u00f3 este nuevo arte que naci\u00f3 con pa\u00f1ales de seda para las bodas reales. Tendremos extractos de la grabaci\u00f3n de estudio de 1992 dirigida por el maestro Roberto de Caro. Buon ascolto!<\/p>\n<p dir=\"ltr\" style=\"font-family: arial, sans-serif;color: #26282a;font-size: 13px;line-height: 1.295;text-align: justify;margin-top: 0pt;margin-bottom: 8pt\">\u00a1Viva la \u00d3pera!<\/p>\n<p dir=\"ltr\" style=\"font-family: arial, sans-serif;color: #26282a;font-size: 13px;line-height: 1.295;text-align: justify;margin-top: 0pt;margin-bottom: 8pt\">Setlist &#8211; \u201cEuridice\u201d de Jacopo Peri, extractos de la primera \u00f3pera conservada<\/p>\n<p dir=\"ltr\" style=\"font-family: arial, sans-serif;color: #26282a;font-size: 13px;line-height: 1.295;text-align: justify;margin-top: 0pt;margin-bottom: 8pt\">Elenco:&nbsp;<\/p>\n<p dir=\"ltr\" style=\"font-family: arial, sans-serif;color: #26282a;font-size: 13px;line-height: 1.295;text-align: justify;margin-top: 0pt;margin-bottom: 8pt\">Euridice \/ Ninfa III \/ Tragedia \/ Proserpina: Gloria Banditelli, mezzosoprano<\/p>\n<p dir=\"ltr\" style=\"font-family: arial, sans-serif;color: #26282a;font-size: 13px;line-height: 1.295;text-align: justify;margin-top: 0pt;margin-bottom: 8pt\">Orfeo: Gian Paolo Fagotto, tenor<\/p>\n<p dir=\"ltr\" style=\"font-family: arial, sans-serif;color: #26282a;font-size: 13px;line-height: 1.295;text-align: justify;margin-top: 0pt;margin-bottom: 8pt\">Aminta \/ Radamanto: Mario Cecchetti, tenor<\/p>\n<p dir=\"ltr\" style=\"font-family: arial, sans-serif;color: #26282a;font-size: 13px;line-height: 1.295;text-align: justify;margin-top: 0pt;margin-bottom: 8pt\">Arcetro: Giuseppe Zambon, tenor<\/p>\n<p dir=\"ltr\" style=\"font-family: arial, sans-serif;color: #26282a;font-size: 13px;line-height: 1.295;text-align: justify;margin-top: 0pt;margin-bottom: 8pt\">Caronte \/ Pastore: Sergio Foresti, bajo<\/p>\n<p dir=\"ltr\" style=\"font-family: arial, sans-serif;color: #26282a;font-size: 13px;line-height: 1.295;text-align: justify;margin-top: 0pt;margin-bottom: 8pt\">Dafne \/ Ninfa II: Rossana Bertini, soprano&nbsp;<\/p>\n<p dir=\"ltr\" style=\"font-family: arial, sans-serif;color: #26282a;font-size: 13px;line-height: 1.295;text-align: justify;margin-top: 0pt;margin-bottom: 8pt\">Ninfa I \/ Venere: Monica Benvenuti, soprano<\/p>\n<p dir=\"ltr\" style=\"font-family: arial, sans-serif;color: #26282a;font-size: 13px;line-height: 1.295;text-align: justify;margin-top: 0pt;margin-bottom: 8pt\">Tirsi: Paolo Da Col, tenor<\/p>\n<p dir=\"ltr\" style=\"font-family: arial, sans-serif;color: #26282a;font-size: 13px;line-height: 1.295;text-align: justify;margin-top: 0pt;margin-bottom: 8pt\">Plutone: Furio Zanasi, bajo<\/p>\n<p dir=\"ltr\" style=\"font-family: arial, sans-serif;color: #26282a;font-size: 13px;line-height: 1.295;text-align: justify;margin-top: 0pt;margin-bottom: 8pt\">Orquesta Ensemble Arpeggio<\/p>\n<p dir=\"ltr\" style=\"font-family: arial, sans-serif;color: #26282a;font-size: 13px;line-height: 1.295;text-align: justify;margin-top: 0pt;margin-bottom: 8pt\">Dir. Roberto de Caro<\/p>\n<p dir=\"ltr\" style=\"font-family: arial, sans-serif;color: #26282a;font-size: 13px;line-height: 1.554;text-align: justify;margin-top: 0pt;margin-bottom: 0pt;padding: 0pt 0pt 16pt\">Grabaci\u00f3n de estudio Arts Music, 1992<\/p>\n<p dir=\"ltr\" style=\"font-family: arial, sans-serif;color: #26282a;font-size: 13px;line-height: 1.554;text-align: justify;margin-top: 0pt;margin-bottom: 0pt;padding: 0pt 0pt 16pt\">___________<\/p>\n<p dir=\"ltr\" style=\"font-family: arial, sans-serif;color: #26282a;font-size: 13px;line-height: 1.554;text-align: justify;margin-top: 0pt;margin-bottom: 0pt;padding: 0pt 0pt 16pt\">*Importante: Todo el material incluido en este podcast se presenta \u00fanicamente con fines educativos y de divulgaci\u00f3n cultural.<\/p>\n<p dir=\"ltr\" style=\"font-family: arial, sans-serif;color: #26282a;font-size: 13px;line-height: 1.554;text-align: justify;margin-top: 0pt;margin-bottom: 16pt\">__________<\/p>\n<h4>Ficha t\u00e9cnica<\/h4>\n<p>CONDUCTOR: Erick Zerme\u00f1o<\/p>\n<p>INVITADO\/A: Ninguno.<\/p>\n<p>TRANSMISI\u00d3N: noviembre 2024<\/p>\n<p>MUSICALIZACI\u00d3N: Erick Zerme\u00f1o<\/p>\n<p>PRODUCCI\u00d3N: Erick Zerme\u00f1o<\/p>\n<h2>Emociona a otros con este contenido<\/h2>\n<h2><a href=\"https:\/\/www.imer.mx\/opus\/pagina-viva-la-opera\/\">P\u00e1gina de la  serie<\/a><\/h2>\n","protected":false},"excerpt":{"rendered":"<p>Erick Zerme\u00f1o presenta la primera \u00f3pera conservada: \u201cEuridice\u201d de Jacopo Peri, conocido como \u201cIl Zazzerino\u201d &#8211; \u201cEl melenudo\u201d miembro de la Camerata Fiorentina que invent\u00f3 este nuevo arte que naci\u00f3 con pa\u00f1ales de seda para las bodas reales. Tendremos extractos de la grabaci\u00f3n de estudio de 1992 dirigida por el maestro Roberto de Caro. Buon ascolto!<\/p>\n<p>\u00a1Viva la \u00d3pera!<\/p>\n","protected":false},"author":187,"featured_media":57382,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"wp_popup_display_lightbox":0,"wp_popup_suppress":"","wp_popup_trigger":"","wp_popup_trigger_amount":0,"wp_popup_disable_on_mobile":false,"footnotes":""},"categories":[48],"tags":[64,47],"class_list":["post-57381","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-viva-la-opera","tag-mujeres","tag-opera","category-48","description-off"],"_links":{"self":[{"href":"https:\/\/www.imer.mx\/opus\/wp-json\/wp\/v2\/posts\/57381","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.imer.mx\/opus\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.imer.mx\/opus\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.imer.mx\/opus\/wp-json\/wp\/v2\/users\/187"}],"replies":[{"embeddable":true,"href":"https:\/\/www.imer.mx\/opus\/wp-json\/wp\/v2\/comments?post=57381"}],"version-history":[{"count":0,"href":"https:\/\/www.imer.mx\/opus\/wp-json\/wp\/v2\/posts\/57381\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.imer.mx\/opus\/wp-json\/wp\/v2\/media\/57382"}],"wp:attachment":[{"href":"https:\/\/www.imer.mx\/opus\/wp-json\/wp\/v2\/media?parent=57381"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.imer.mx\/opus\/wp-json\/wp\/v2\/categories?post=57381"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.imer.mx\/opus\/wp-json\/wp\/v2\/tags?post=57381"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}