{"id":56612,"date":"2024-10-16T17:58:19","date_gmt":"2024-10-16T23:58:19","guid":{"rendered":"https:\/\/www.imer.mx\/opus\/?p=56612"},"modified":"2024-10-16T18:05:24","modified_gmt":"2024-10-17T00:05:24","slug":"igor-stravinsky-y-el-arte-vocal","status":"publish","type":"post","link":"https:\/\/www.imer.mx\/opus\/igor-stravinsky-y-el-arte-vocal\/","title":{"rendered":"\u00cdgor Stravinsky y el arte vocal"},"content":{"rendered":"

\u00cdgor Stravinsky y el arte vocal<\/h2>\n

\"\"<\/p>\n

Sinopsis<\/h4>\n

Erick Zerme\u00f1o presenta la primera parte de una semblanza musical del bar\u00edtono mazatleco Guillermo Sarabia (1937-1985), quien con una voz y talento excepcionales hizo una carrera mete\u00f3rica en los teatros m\u00e1s importantes del mundo. Buon ascolto!<\/p>\n

\u00a1Viva la \u00d3pera!<\/p>\n

 Setlist – Guillermo Sarabia, bar\u00edtono parte 1 <\/p>\n

1) \u201cAmis, interrompez vos da danses et vos jeux\u201d<\/p>\n

Acte I – Entrada de Zurga <\/p>\n

2) \u201cC\u00b4est toi, toi qu\u00b4enfin je revois\u201d – \u201cAu fond de temple sacre\u201d<\/p>\n

Acte I – Dueto de la amistad<\/p>\n

Alain Vanzo, tenor<\/p>\n

3) \u201cL\u00b4orage s\u00b4est calm\u00e9\u201d<\/p>\n

Acte III – Romanza de Zurga<\/p>\n

 \u201cLes p\u00eacheurs de perles\u201d – Georges Bizet <\/p>\n

Dir. Georges Pr\u00eatre<\/p>\n

Grabaci\u00f3n de estudio, 1978.<\/p>\n

4) \u201cPerfidi!\u201d – \u201cPiet\u00e0, rispetto, amore\u201d<\/p>\n

Atto IV – \u201c\u00d3pera escocesa\u201d de Giuseppe Verdi<\/p>\n

Dir. Giuseppe Ruisi<\/p>\n

Grabaci\u00f3n en directo del Gran Teatro del Liceu de Barcelona, 1975.<\/p>\n

5) Dueto de Falstaff y Ford<\/p>\n

\u201cFalstaff\u201d – Giuseppe Verdi <\/p>\n

Roberto Ba\u00f1uelas, bar\u00edtono<\/p>\n

Dir. Eduardo Mata<\/p>\n

Grabaci\u00f3n en directo del Teatro del Palacio de Bellas Artes, 1983<\/p>\n

6) Atto I – \u201cO monumento\u201d<\/p>\n

7) Atto II – \u201cPescator affonda l\u00b4esca\u201d<\/p>\n

\u201cLa Gioconda\u201d – Amilcare Ponchielli<\/p>\n

Dir. Joseph Rescigno<\/p>\n

Grabaci\u00f3n en directo de Milwaukee, Wisconsin 1981<\/p>\n

8) \u201cCredo\u201d<\/p>\n

\u201cOtello\u201d – Giuseppe Verdi<\/p>\n

Dir. Giuseppe Morelli<\/p>\n

Grabaci\u00f3n en directo Gran Teatro del Liceu de Barcelona, 1977.<\/p>\n

___________<\/p>\n

*Importante: Todo el material incluido en este podcast se presenta \u00fanicamente con fines educativos y de divulgaci\u00f3n cultural.<\/p>\n

__________<\/p>\n

Ficha t\u00e9cnica<\/h4>\n

CONDUCTOR: Erick Zerme\u00f1o<\/p>\n

INVITADO\/A: Ninguno<\/p>\n

TRANSMISI\u00d3N: Octubre 2024<\/p>\n

MUSICALIZACI\u00d3N: Erick Zerme\u00f1o<\/p>\n

PRODUCCI\u00d3N: Erick Zerme\u00f1o<\/p>\n

Emociona a otros con este contenido<\/h2>\n

P\u00e1gina de la serie<\/a><\/h2>\n","protected":false},"excerpt":{"rendered":"

Erick Zerme\u00f1o presenta una emisi\u00f3n dedicada al compositor ruso \u00cdgor Stravinsky (1882-1971) con canciones y arias de \u201cLe Rossignol\u201d- “El ruise\u00f1or”, \u201cMavra\u201d, as\u00ed como extractos de la que se considera su \u00f3pera m\u00e1s importante: \u201cThe Rake\u00b4s Progress\u201d – \u201cLa carrera de un libertino\u201d, con selecciones y una grabaci\u00f3n del tercer acto de la funci\u00f3n del estreno en M\u00e9xico en 1985 en el Teatro del Palacio de Bellas Artes. Buon ascolto!<\/p>\n

\u00a1Viva la \u00d3pera!<\/p>\n","protected":false},"author":187,"featured_media":56613,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"wp_popup_display_lightbox":0,"wp_popup_suppress":"","wp_popup_trigger":"","wp_popup_trigger_amount":0,"wp_popup_disable_on_mobile":false,"footnotes":""},"categories":[48],"tags":[72,47],"class_list":["post-56612","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-viva-la-opera","tag-historia","tag-opera","category-48","description-off"],"_links":{"self":[{"href":"https:\/\/www.imer.mx\/opus\/wp-json\/wp\/v2\/posts\/56612","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.imer.mx\/opus\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.imer.mx\/opus\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.imer.mx\/opus\/wp-json\/wp\/v2\/users\/187"}],"replies":[{"embeddable":true,"href":"https:\/\/www.imer.mx\/opus\/wp-json\/wp\/v2\/comments?post=56612"}],"version-history":[{"count":0,"href":"https:\/\/www.imer.mx\/opus\/wp-json\/wp\/v2\/posts\/56612\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.imer.mx\/opus\/wp-json\/wp\/v2\/media\/56613"}],"wp:attachment":[{"href":"https:\/\/www.imer.mx\/opus\/wp-json\/wp\/v2\/media?parent=56612"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.imer.mx\/opus\/wp-json\/wp\/v2\/categories?post=56612"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.imer.mx\/opus\/wp-json\/wp\/v2\/tags?post=56612"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}