{"id":55619,"date":"2024-07-23T14:12:00","date_gmt":"2024-07-23T20:12:00","guid":{"rendered":"https:\/\/www.imer.mx\/opus\/?p=55619"},"modified":"2024-07-22T17:19:47","modified_gmt":"2024-07-22T23:19:47","slug":"los-maestros-cantores-de-nuremberg-de-richard-wagner","status":"publish","type":"post","link":"https:\/\/www.imer.mx\/opus\/los-maestros-cantores-de-nuremberg-de-richard-wagner\/","title":{"rendered":"“Los maestros cantores de Nuremberg” de Richard Wagner"},"content":{"rendered":"

“Los maestros cantores de Nuremberg” de Richard Wagner<\/h2>\n

\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n

Sinopsis<\/h4>\n

\t\tErick Zerme\u00f1o presenta \u201cLos maestros cantores de Nuremberg\u201d “Die Meistersinger von N\u00fcrnberg”, <\/i>la segunda comedia de Richard Wagner y la \u00f3pera con mayor duraci\u00f3n de la historia, con selecciones de diversas \u00e9pocas. Incluye fragmentos con el c\u00e9lebre tenor mexicano Francisco Araiza como Walther von Stoltzing. Buon ascolto!<\/p>\n

\u00a1Viva la \u00d3pera!<\/p>\n

\u00a0<\/p>\n

Setlist \u201cLos maestros cantores de Nuremberg\u201d – “Die Meistersinger von N\u00fcrnberg” Richard Wagner (WWV96)<\/strong>\u00a0<\/p>\n

Acto I<\/strong><\/p>\n

1) Walther se presenta ante los maestros<\/p>\n

\u201cAm stillen Herd in Winterzeit\u201c<\/p>\n

2) \u201cFanget an! So rief der Lenz in dem Wald\u201d<\/p>\n

Mon\u00f3logo de Walther von Stoltzing<\/p>\n

Francisco Araiza, tenor<\/p>\n

Hermann Prey (Beckmesser)<\/p>\n

Dir. James Levine<\/p>\n

En directo, En directo, Nueva York, 1993<\/p>\n

\u00a0<\/p>\n

Acto II<\/strong><\/p>\n

3) Primer mon\u00f3logo de Hans Sachs – \u201cMon\u00f3logo del sauce\u201d<\/p>\n

\u201cWas duftet doch der Flieder\u201d<\/p>\n

\u00a0\u201cQu\u00e9 dulce es el aroma del sauce. Suave, fuerte y pleno\u201d\u00a0<\/p>\n

Paul Sch\u00f6ffler, bar\u00edtono<\/p>\n

Dir. Karl B\u00f6hm\u00a0<\/p>\n

Estudio 1944<\/p>\n

4) \u201cJerum! Jerum!\u00a0<\/p>\n

Hans enmienda los zapatos<\/p>\n

Otto Edelmann, bar\u00edtono<\/p>\n

Dir. Wilhelm Loibner<\/p>\n

Estudio 1952-1953<\/p>\n

5) Serenata fallida de Beckmesser<\/p>\n

Paul Sch\u00f6ffler, bar\u00edtono (Hans)<\/p>\n

Erich Kunz, bar\u00edtono (Sixtus Beckmesser)<\/p>\n

Dir. Karl B\u00f6hm<\/p>\n

Estudio 1944<\/p>\n

\u00a0<\/p>\n

Acto III<\/strong><\/p>\n

6) Segundo Mon\u00f3logo de Sachs<\/p>\n

\u201cWahn! Wahn! \u00dcberall! Wahn!\u201d<\/p>\n

\u201c\u00a1Locura por todas partes, locura!\u201d<\/p>\n

Wilhelm Rode, bar\u00edtono<\/p>\n

Dir. Wolfgang Bruckner<\/p>\n

Estudio 1938<\/p>\n

7) Entrada de los Maestros – Coro<\/p>\n

Dir. Karl B\u00f6hm<\/p>\n

Coro del Festival de Bayreuth, Alemania<\/p>\n

Edici\u00f3n 1968<\/p>\n

8) Canci\u00f3n del Premio – Preizer Lied<\/p>\n

Francisco Araiza, tenor<\/p>\n

Dir. James Levine<\/p>\n

En directo, Nueva York, 1993<\/p>\n

9) Final<\/p>\n

Theo Adam, bar\u00edtono (Hans Sachs)<\/p>\n

Dir. Karl B\u00f6hm<\/p>\n

Festival de Bayreuth, Alemania<\/p>\n

Edici\u00f3n 1968<\/p>\n

\u00a0<\/p>\n

____________________<\/p>\n

Importante<\/strong>: Todo el material incluido aqu\u00ed se presenta \u00fanicamente con fines educativos y de divulgaci\u00f3n cultural.<\/p>\n

____________________<\/p>\n

Ficha t\u00e9cnica<\/h4>\n

CONDUCTOR: Erick Zerme\u00f1o<\/p>\n

INVITADO\/A: Ninguno<\/p>\n

TRANSMISI\u00d3N: Julio, 2024<\/p>\n

DURACI\u00d3N: 01:02:16<\/p>\n

MUSICALIZACI\u00d3N: Erick Zerme\u00f1o<\/p>\n

PRODUCCI\u00d3N: Erick Zerme\u00f1o<\/p>\n

Emociona a otros con este contenido<\/h2>\n

P\u00e1gina de la serie<\/a><\/h2>\n","protected":false},"excerpt":{"rendered":"

Erick Zerme\u00f1o presenta \u201cLos maestros cantores de Nuremberg\u201d “Die Meistersinger von N\u00fcrnberg”, la segunda comedia de Richard Wagner y la \u00f3pera con mayor duraci\u00f3n de la historia, con selecciones de diversas \u00e9pocas. Incluye fragmentos con el c\u00e9lebre tenor mexicano Francisco Araiza como Walther von Stoltzing. Buon ascolto!<\/p>\n

\u00a1Viva la \u00d3pera!<\/p>\n","protected":false},"author":187,"featured_media":55620,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"wp_popup_display_lightbox":0,"wp_popup_suppress":"","wp_popup_trigger":"","wp_popup_trigger_amount":0,"wp_popup_disable_on_mobile":false,"footnotes":""},"categories":[48],"tags":[72,47],"class_list":["post-55619","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-viva-la-opera","tag-historia","tag-opera","category-48","description-off"],"_links":{"self":[{"href":"https:\/\/www.imer.mx\/opus\/wp-json\/wp\/v2\/posts\/55619","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.imer.mx\/opus\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.imer.mx\/opus\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.imer.mx\/opus\/wp-json\/wp\/v2\/users\/187"}],"replies":[{"embeddable":true,"href":"https:\/\/www.imer.mx\/opus\/wp-json\/wp\/v2\/comments?post=55619"}],"version-history":[{"count":0,"href":"https:\/\/www.imer.mx\/opus\/wp-json\/wp\/v2\/posts\/55619\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.imer.mx\/opus\/wp-json\/wp\/v2\/media\/55620"}],"wp:attachment":[{"href":"https:\/\/www.imer.mx\/opus\/wp-json\/wp\/v2\/media?parent=55619"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.imer.mx\/opus\/wp-json\/wp\/v2\/categories?post=55619"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.imer.mx\/opus\/wp-json\/wp\/v2\/tags?post=55619"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}