{"id":53148,"date":"2024-02-17T14:21:27","date_gmt":"2024-02-17T20:21:27","guid":{"rendered":"https:\/\/www.imer.mx\/opus\/?p=53148"},"modified":"2024-02-20T14:32:19","modified_gmt":"2024-02-20T20:32:19","slug":"weiss-en-su-manuscrito-programa-25","status":"publish","type":"post","link":"https:\/\/www.imer.mx\/opus\/weiss-en-su-manuscrito-programa-25\/","title":{"rendered":"Weiss en su manuscrito (programa 25)"},"content":{"rendered":"<h4>Sinopsis<\/h4>\n<p>Vigesimoquinto programa de la serie dedicada presentar todas las obras para la\u00fad barroco de <strong>Silvius Leopold Weiss (1687-1750)<\/strong> contenidas en diversas fuentes manuscritas de importantes ciudades europeas. En esta entrega, continuamos explorando los manuscritos de <strong>Mosc\u00fa<\/strong> y <strong>Dresde<\/strong>. De la fuente rusa tuvimos las piezas <strong>no.18 Courante<\/strong> y la <strong>no.19 Pieza galante<\/strong>. Del manuscrito saj\u00f3n tuvimos las <strong>suites no.3 y no.4<\/strong> ambas en fa mayor. Interpretaron los laudistas <strong>Alexander Suetin<\/strong> (Manuscrito de Mosc\u00fa) y <strong>John Schneiderman<\/strong> (Manuscrito de Dresde).<\/p>\n<h4>Ficha t\u00e9cnica<\/h4>\n<p>CONDUCTOR: Lucas Hern\u00e1ndez Bico<\/p>\n<p>INVITADO\/A: Ninguno<\/p>\n<p>GRABACI\u00d3N:\u00a0 15 febrero, 2024<\/p>\n<p>TRANSMISI\u00d3N: 17 febrero, 2024<\/p>\n<p>DURACI\u00d3N: 57&#8242;<\/p>\n<p>M\u00daSICALIZACI\u00d3N: Lucas Hern\u00e1ndez Bico<\/p>\n<p>PRODUCCI\u00d3N: Lucas Hern\u00e1ndez Bico<\/p>\n<h2>Emociona a otros con este contenido<\/h2>\n<h2><a href=\"https:\/\/www.imer.mx\/opus\/pagina-viva-la-opera\/\">P\u00e1gina de la  serie<\/a><\/h2>\n","protected":false},"excerpt":{"rendered":"<p>Vigesimoquinto programa de la serie dedicada presentar todas las obras para la\u00fad barroco de Silvius Leopold Weiss (1687-1750) contenidas en diversas fuentes manuscritas de importantes ciudades europeas. En esta entrega, continuamos explorando los manuscritos de Mosc\u00fa y Dresde. De la fuente rusa tuvimos las piezas no.18 Courante y la no.19 Pieza galante. Del manuscrito saj\u00f3n tuvimos las suites no.3 y no.4 ambas en fa mayor. Interpretaron los laudistas Alexander Suetin (Manuscrito de Mosc\u00fa) y John Schneiderman (Manuscrito de Dresde).<\/p>\n","protected":false},"author":6,"featured_media":53003,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"wp_popup_display_lightbox":0,"wp_popup_suppress":"","wp_popup_trigger":"","wp_popup_trigger_amount":0,"wp_popup_disable_on_mobile":false,"footnotes":""},"categories":[33],"tags":[71],"class_list":["post-53148","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-notas-y-claves","tag-barroca","category-33","description-off"],"_links":{"self":[{"href":"https:\/\/www.imer.mx\/opus\/wp-json\/wp\/v2\/posts\/53148","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.imer.mx\/opus\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.imer.mx\/opus\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.imer.mx\/opus\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/www.imer.mx\/opus\/wp-json\/wp\/v2\/comments?post=53148"}],"version-history":[{"count":0,"href":"https:\/\/www.imer.mx\/opus\/wp-json\/wp\/v2\/posts\/53148\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.imer.mx\/opus\/wp-json\/wp\/v2\/media\/53003"}],"wp:attachment":[{"href":"https:\/\/www.imer.mx\/opus\/wp-json\/wp\/v2\/media?parent=53148"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.imer.mx\/opus\/wp-json\/wp\/v2\/categories?post=53148"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.imer.mx\/opus\/wp-json\/wp\/v2\/tags?post=53148"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}