{"id":52079,"date":"2023-11-18T01:22:44","date_gmt":"2023-11-18T07:22:44","guid":{"rendered":"https:\/\/www.imer.mx\/opus\/?p=52079"},"modified":"2023-12-02T01:35:52","modified_gmt":"2023-12-02T07:35:52","slug":"weiss-en-su-manuscrito-programa-22","status":"publish","type":"post","link":"https:\/\/www.imer.mx\/opus\/weiss-en-su-manuscrito-programa-22\/","title":{"rendered":"Weiss en su manuscrito (programa 22)"},"content":{"rendered":"<h4>Sinopsis<\/h4>\n<p>El <strong>s\u00e1bado 18 de noviembre<\/strong>, <strong>\u201cNotas y Claves\u201d<\/strong> present\u00f3 el vigesimosegundo programa de la serie <strong>\u201cWeiss en su manuscrito\u201d<\/strong> dedicada presentar todas las obras para la\u00fad barroco de <strong>Silvius Leopold Weiss<\/strong> (1687-1750) contenidas en diversas fuentes manuscritas de importantes ciudades europeas. En este programa escuchamos 2 sonatas del Manuscrito de Dresde: la Sonata no.36 en re menor y la Sonata no.42 en la menor. Interpret\u00f3 el laudista Robert Barto.<\/p>\n<h4>Ficha t\u00e9cnica<\/h4>\n<p>CONDUCTOR: Lucas Hern\u00e1ndez Bico<\/p>\n<p>INVITADO\/A: Ninguno<\/p>\n<p>GRABACI\u00d3N:\u00a0 16 noviembre, 2023<\/p>\n<p>TRANSMISI\u00d3N: 18 noviembre, 2023<\/p>\n<p>DURACI\u00d3N: 54&#8242;<\/p>\n<p>M\u00daSICALIZACI\u00d3N: Lucas Hern\u00e1ndez Bico<\/p>\n<p>PRODUCCI\u00d3N: Lucas Hern\u00e1ndez Bico<\/p>\n<h2>Emociona a otros con este contenido<\/h2>\n<h2><a href=\"https:\/\/www.imer.mx\/opus\/pagina-viva-la-opera\/\">P\u00e1gina de la  serie<\/a><\/h2>\n","protected":false},"excerpt":{"rendered":"<p>El s\u00e1bado 18 de noviembre, \u201cNotas y Claves\u201d present\u00f3 el vigesimosegundo programa de la serie \u201cWeiss en su manuscrito\u201d dedicada presentar todas las obras para la\u00fad barroco de Silvius Leopold Weiss (1687-1750) contenidas en diversas fuentes manuscritas de importantes ciudades europeas. En este programa escuchamos 2 sonatas del Manuscrito de Dresde: la Sonata no.36 en re menor y la Sonata no.42 en la menor. Interpret\u00f3 el laudista Robert Barto.<\/p>\n","protected":false},"author":6,"featured_media":52082,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"wp_popup_display_lightbox":0,"wp_popup_suppress":"","wp_popup_trigger":"","wp_popup_trigger_amount":0,"wp_popup_disable_on_mobile":false,"footnotes":""},"categories":[33],"tags":[71],"class_list":["post-52079","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-notas-y-claves","tag-barroca","category-33","description-off"],"_links":{"self":[{"href":"https:\/\/www.imer.mx\/opus\/wp-json\/wp\/v2\/posts\/52079","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.imer.mx\/opus\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.imer.mx\/opus\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.imer.mx\/opus\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/www.imer.mx\/opus\/wp-json\/wp\/v2\/comments?post=52079"}],"version-history":[{"count":0,"href":"https:\/\/www.imer.mx\/opus\/wp-json\/wp\/v2\/posts\/52079\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.imer.mx\/opus\/wp-json\/wp\/v2\/media\/52082"}],"wp:attachment":[{"href":"https:\/\/www.imer.mx\/opus\/wp-json\/wp\/v2\/media?parent=52079"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.imer.mx\/opus\/wp-json\/wp\/v2\/categories?post=52079"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.imer.mx\/opus\/wp-json\/wp\/v2\/tags?post=52079"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}