{"id":51961,"date":"2023-11-30T23:19:58","date_gmt":"2023-12-01T05:19:58","guid":{"rendered":"https:\/\/www.imer.mx\/opus\/?p=51961"},"modified":"2023-11-27T23:29:05","modified_gmt":"2023-11-28T05:29:05","slug":"centenario-del-tenor-giuseppe-campora","status":"publish","type":"post","link":"https:\/\/www.imer.mx\/opus\/centenario-del-tenor-giuseppe-campora\/","title":{"rendered":"“Centenario del tenor Giuseppe Campora”"},"content":{"rendered":"

“Centenario del tenor Giuseppe Campora”<\/h2>\n
\n\t\t\t\t\t\t\t\t\t\t\"\"
<\/figcaption><\/figure>\n

Sinopsis<\/h4>\n

Viva la \u00d3pera! con Erick Zerme\u00f1o contin\u00faa el ciclo “centenarios l\u00edricos 2023” con una semblanza musical del llamado “tenor de los ojos azules” Giuseppe Campora con grabaciones de sus presentaciones en Bellas Artes. Buon ascolto !<\/p>\n

@erickzermeno @Vivala\u00d3pera<\/p>\n

SETLIST<\/b><\/p>\n

1) “Amor ti vieta”
\n\u201cFedora\u201d de Umberto Giordano
\nElena Nicolai, mezzosoprano
\nDir. Oliviero de Fabritiis
\nEn vivo Teatro del Palacio de Bellas Artes, 1953<\/p>\n

2) Cavatina de Alfredo Germont
\nSegundo acto de \u201cLa Traviata\u201d \u201cLa extraviada\u201d de Verdi
\nDir. Umberto Berretoni
\nEstudio 1952<\/p>\n

3) “Sue\u00f1o del monje Grigory o falso Dimitri”
\nActo I Escena I
\nRoberto Silva, bajo<\/p>\n

4) Dueto de Marina y Grigory
\nActo III del llamado \u201cacto polaco\u201d
\nBel\u00e9n Ampar\u00e1n, mezzosoprano<\/p>\n

“Boris Godunov\u201d de Modest Mussorgsky
\nVersi\u00f3n italiana
\nDir. Oliviero de Fabritiis
\nEn vivo Teatro del Palacio de Bellas Artes, 1953<\/p>\n

5) Dueto de Santuzza y Turiddu
\n“Cavalleria Rusticana” – Mascagni
\nElena Nicolai, mezzosoprano
\nGrabaci\u00f3n de estudio de radio en vivo
\nLa Hora Nacional, M\u00e9xico 1953<\/p>\n

6) \u201cDuetto delle Cigliege\u201d o \u201cdueto de las cerezas\u201d
\nActo II
\nConchita Vald\u00e9s, soprano<\/p>\n

7) \u201cEd anche Beppe am\u00f2\u201d \u201cTambi\u00e9n Beppe am\u00f3”
\nAtto III<\/p>\n

“L\u00b4amico Fritz” – Mascagni
\nDir. Oliviero de Fabritiis
\nEn vivo Teatro del Palacio de Bellas Artes, 1953<\/p>\n

8) “Che gelida manina”
\n9) “O soave fanciulla”
\n“La boh\u00e8me” – Puccini
\nDo\u00f1a Irma Gonz\u00e1lez, soprano
\nDir. Oliviero de Fabritiis
\nEn vivo Teatro del Palacio de Bellas Artes, 1953<\/p>\n

10) “Addio fiorito asil”
\nAtto III “Madama Butterfly” – Puccini
\nDir. Alberto Erede
\nEstudio 1951<\/p>\n

11) “Dai campi, dai prati” (Atto I)
\n12) “Giunto sul passo estremo” (Atto IV)
\n“Mefistofele” – Boito
\nDir. Alberto Erede
\nEstudio 1955<\/p>\n

Encores:
\n13) “A vucchela” – Tosti
\n14) “Torna a Sorrento” (versi\u00f3n italiana) – De Curtis
\nDir. Giuseppe Anepetta
\nEstudio 1959<\/p>\n

Ficha t\u00e9cnica<\/h4>\n

CONDUCTOR: Erick Zerme\u00f1o<\/p>\n

INVITADO\/A: Ninguno<\/p>\n

GRABACI\u00d3N: noviembre, 2023<\/p>\n

TRANSMISI\u00d3N: 30 de noviembre, 2023<\/p>\n

DURACI\u00d3N: 75′<\/p>\n

MUSICALIZACI\u00d3N: Erick Zerme\u00f1o<\/p>\n

PRODUCCI\u00d3N: Erick Zerme\u00f1o<\/p>\n

Emociona a otros con este contenido<\/h2>\n

P\u00e1gina de la serie<\/a><\/h2>\n","protected":false},"excerpt":{"rendered":"

Erick Zerme\u00f1o nos presenta en #VivaLa\u00d3pera un homenaje musical al reci\u00e9n fallecido contratenor brit\u00e1nico James Bowman, con los comentarios del maestro H\u00e9ctor Sosa.<\/p>\n","protected":false},"author":187,"featured_media":51962,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"wp_popup_display_lightbox":0,"wp_popup_suppress":"","wp_popup_trigger":"","wp_popup_trigger_amount":0,"wp_popup_disable_on_mobile":false,"footnotes":""},"categories":[48],"tags":[72,47],"class_list":["post-51961","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-viva-la-opera","tag-historia","tag-opera","category-48","description-off"],"_links":{"self":[{"href":"https:\/\/www.imer.mx\/opus\/wp-json\/wp\/v2\/posts\/51961","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.imer.mx\/opus\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.imer.mx\/opus\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.imer.mx\/opus\/wp-json\/wp\/v2\/users\/187"}],"replies":[{"embeddable":true,"href":"https:\/\/www.imer.mx\/opus\/wp-json\/wp\/v2\/comments?post=51961"}],"version-history":[{"count":0,"href":"https:\/\/www.imer.mx\/opus\/wp-json\/wp\/v2\/posts\/51961\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.imer.mx\/opus\/wp-json\/wp\/v2\/media\/51962"}],"wp:attachment":[{"href":"https:\/\/www.imer.mx\/opus\/wp-json\/wp\/v2\/media?parent=51961"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.imer.mx\/opus\/wp-json\/wp\/v2\/categories?post=51961"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.imer.mx\/opus\/wp-json\/wp\/v2\/tags?post=51961"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}