{"id":50638,"date":"2023-09-23T19:00:05","date_gmt":"2023-09-24T01:00:05","guid":{"rendered":"https:\/\/www.imer.mx\/opus\/?p=50638"},"modified":"2023-09-22T20:12:33","modified_gmt":"2023-09-23T02:12:33","slug":"weiss-en-su-manuscrito-programa-20","status":"publish","type":"post","link":"https:\/\/www.imer.mx\/opus\/weiss-en-su-manuscrito-programa-20\/","title":{"rendered":"Weiss en su manuscrito (programa 20)"},"content":{"rendered":"<h4>Sinopsis<\/h4>\n<p>Este <strong>s\u00e1bado 23 de septiembre \u201cNotas y Claves\u201d <\/strong>present\u00f3 el\u00a0<strong> Vig\u00e9simo programa <\/strong>de la serie dedicada presentar todas las obras para la\u00fad barroco de <strong>Silvius Leopold Weiss (1687-1750) <\/strong>contenidas en el <strong>&#8220;Manuscrito de Londres&#8221; <\/strong>que hemos ampliado a la exploraci\u00f3n de otras fuentes. Tuvimos la<strong> Sonata no.26 en fa mayor (WeissSW32)<\/strong> del<strong> manuscrito de Londres <\/strong>y<strong> la Sonata no.54 <\/strong>en do mayor para 2 la\u00fades del<strong> Manuscrito de Dresde. <\/strong>Escuchamos la interpretaci\u00f3n de los laudistas <strong>Michel Cardin <\/strong>(Londres) y el d\u00fao de<strong> Robert Barto y Karl-Ernst Schr\u00f6der <\/strong>(Dresde).<\/p>\n<h4>Ficha t\u00e9cnica<\/h4>\n<p>CONDUCTOR: Lucas Hern\u00e1ndez Bico<\/p>\n<p>INVITADO\/A: Ninguno<\/p>\n<p>GRABACI\u00d3N: 21 septiembre, 2023<\/p>\n<p>TRANSMISI\u00d3N: 23 septiembre, 2023<\/p>\n<p>DURACI\u00d3N: 58&#8242;<\/p>\n<p>M\u00daSICALIZACI\u00d3N: Lucas Hern\u00e1ndez Bico<\/p>\n<p>PRODUCCI\u00d3N: Lucas Hern\u00e1ndez Bico<\/p>\n<h2>Emociona a otros con este contenido<\/h2>\n<h2><a href=\"https:\/\/www.imer.mx\/opus\/pagina-viva-la-opera\/\">P\u00e1gina de la  serie<\/a><\/h2>\n","protected":false},"excerpt":{"rendered":"<p>Este s\u00e1bado 23 de septiembre \u201cNotas y Claves\u201d present\u00f3 el\u00a0 Vig\u00e9simo programa de la serie dedicada presentar todas las obras para la\u00fad barroco de Silvius Leopold Weiss (1687-1750) contenidas en el &#8220;Manuscrito de Londres&#8221; que hemos ampliado a la exploraci\u00f3n de otras fuentes. Tuvimos la Sonata no.26 en fa mayor (WeissSW32) del manuscrito de Londres y la Sonata no.54 en do mayor para 2 la\u00fades del Manuscrito de Dresde. Escuchamos la interpretaci\u00f3n de los laudistas Michel Cardin (Londres) y el d\u00fao de Robert Barto y Karl-Ernst Schr\u00f6der (Dresde).<\/p>\n","protected":false},"author":6,"featured_media":50639,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"wp_popup_display_lightbox":0,"wp_popup_suppress":"","wp_popup_trigger":"","wp_popup_trigger_amount":0,"wp_popup_disable_on_mobile":false,"footnotes":""},"categories":[33],"tags":[71],"class_list":["post-50638","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-notas-y-claves","tag-barroca","category-33","description-off"],"_links":{"self":[{"href":"https:\/\/www.imer.mx\/opus\/wp-json\/wp\/v2\/posts\/50638","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.imer.mx\/opus\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.imer.mx\/opus\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.imer.mx\/opus\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/www.imer.mx\/opus\/wp-json\/wp\/v2\/comments?post=50638"}],"version-history":[{"count":0,"href":"https:\/\/www.imer.mx\/opus\/wp-json\/wp\/v2\/posts\/50638\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.imer.mx\/opus\/wp-json\/wp\/v2\/media\/50639"}],"wp:attachment":[{"href":"https:\/\/www.imer.mx\/opus\/wp-json\/wp\/v2\/media?parent=50638"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.imer.mx\/opus\/wp-json\/wp\/v2\/categories?post=50638"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.imer.mx\/opus\/wp-json\/wp\/v2\/tags?post=50638"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}