{"id":49258,"date":"2023-07-14T20:50:43","date_gmt":"2023-07-15T02:50:43","guid":{"rendered":"https:\/\/www.imer.mx\/opus\/?p=49258"},"modified":"2023-07-14T20:54:00","modified_gmt":"2023-07-15T02:54:00","slug":"cristina-ortega-soprano","status":"publish","type":"post","link":"https:\/\/www.imer.mx\/opus\/cristina-ortega-soprano\/","title":{"rendered":"Cristina Ortega (Soprano)"},"content":{"rendered":"<h2>Cristina Ortega (Soprano)<\/h2>\n<p><img decoding=\"async\" width=\"800\" height=\"800\" src=\"https:\/\/www.imer.mx\/opus\/wp-content\/uploads\/sites\/13\/Cristina-Ortega-1024x1024.jpg\" alt=\"\" loading=\"lazy\"><\/p>\n<h4>Sinopsis<\/h4>\n<p>Erick Zerme\u00f1o presenta en \u00a1Viva la \u00d3pera!, un retrato sonoro de la soprano mexicana Cristina Ortega de la serie discogr\u00e1fica &#8220;Grandes voces de M\u00e9xico&#8221; Vol. VI producida por el Mtro. H\u00e9ctor Sosa. No te lo pierdas.&nbsp;<\/p>\n<p>@erickzermeno @Vivala\u00d3pera&nbsp;<\/p>\n<p><b>SETLIST<\/b><\/p>\n<p><b>&#8220;Grandes voces de M\u00e9xico&#8221; Vol. VI<\/b><b>Producci\u00f3n: Mtro. H\u00e9ctor Sosa<\/b>&nbsp;1) Aria de Susanna &#8211; &#8220;Deh, vieni non tardar&#8221; &#8211; &#8220;Le nozze di Figaro&#8221; &#8211; MozartDir. Alfredo SilipigniEn vivo, Teatro del Palacio de Bellas Artes 1978&nbsp;2) Aria de la mesita &#8211; &#8220;Adieu notre petite table&#8221; &#8211; &#8220;Manon&#8221; &#8211; MassenetDir. Jean-Pierre MartyEn vivo, Teatro del Palacio de Bellas Artes 1978&nbsp;3) Escena de Violetta Val\u00e9ry &#8211; &#8220;\u00c8 strano, \u00e8 strano&#8221; &#8211; &#8220;La Traviata&#8221; &#8211; VerdiDavid Portilla, tenorDir. Jorge Delez\u00e9En vivo, Teatro del Palacio de Bellas Artes 1966&nbsp;4) &#8220;Caro nome&#8221; &#8211; &#8220;Rigoletto&#8221; &#8211; VerdiDir. Fernando LozanoEn vivo, Teatro del Palacio de Bellas Artes 1979&nbsp;5) &#8220;O mio babbino caro&#8221; &#8211; &#8220;Il Trittico &#8211; Gianni Schicchi&#8221; &#8211; PucciniDir. Jorge Delez\u00e9En vivo Teatro del Palacio de Bellas Artes 19926) &#8220;Tu, che di gel sei cinta&#8221; &#8211; Aria de Li\u00f9 &#8211; &#8220;Turandot&#8221; &#8211; PucciniDir. Kurt KlippstatterEn vivo, Teatro del Palacio de Bellas Artes, 1977&nbsp;7) &#8220;No cort\u00e9 mas que una rosa&#8221; &#8211; Zarzuela &#8220;La del manojo de rosas&#8221; &#8211; Pablo Soroz\u00e1balJos\u00e9 Luis Gonz\u00e1lez, pianoEn vivo, Fonoteca Nacional, 2004&nbsp;8) &#8220;Aleluya&#8221; &#8211; Manuel Mar\u00eda PonceManuel Garc\u00eda Mora, pianoTeatro del Palacio de Bellas Artes 1974&nbsp;9) &#8220;Dos Canciones&#8221; &#8211; Blas Galindo&#8221;Arrullo&#8221;&#8221;Madre m\u00eda, cuando muera&#8221;Manuel Garc\u00eda Mora, pianoTeatro del Palacio de Bellas Artes 197410) &#8220;To huey tlahtzin Cuauht\u00e9moc&#8221; &#8211; Salvador MorenoAndr\u00e9s Acosta, pianoEn vivo en Radio Educaci\u00f3n 1979&nbsp;11) Fragmento de las palabras de la Mtra. Cristina Ortega para agradecer la Medalla de Bellas Artes.Sala Manuel Mar\u00eda Ponce de Bellas Artes, 2019&nbsp;12) &#8220;Borrachita&#8221; de Ignacio Fern\u00e1ndez Esper\u00f3n &#8220;Tata Nacho&#8221;Programa de TV &#8220;Estampas musicales&#8221;, 1983&nbsp;13) &#8220;Estrellita&#8221; de Manuel Mar\u00eda PonceSergio Pe\u00f1a, pianoPrograma de TV &#8220;Estampas musicales&#8221;, 1983<\/p>\n<h4>Ficha t\u00e9cnica<\/h4>\n<p>CONDUCTOR: Erick Zerme\u00f1o<\/p>\n<p>INVITADO\/A: Ninguno<\/p>\n<p>GRABACI\u00d3N: julio, 2023<\/p>\n<p>TRANSMISI\u00d3N: 13 de julio, 2023<\/p>\n<p>DURACI\u00d3N: 57&#8242;<\/p>\n<p>MUSICALIZACI\u00d3N: Erick Zerme\u00f1o<\/p>\n<p>PRODUCCI\u00d3N: Erick Zerme\u00f1o<\/p>\n<h2>Emociona a otros con este contenido<\/h2>\n<p>Share on facebook<br \/>\nShare on twitter<br \/>\nShare on linkedin<\/p>\n<h2><a href=\"https:\/\/www.imer.mx\/opus\/pagina-viva-la-opera\/\">P\u00e1gina de la  serie<\/a><\/h2>\n","protected":false},"excerpt":{"rendered":"<p>Erick Zerme\u00f1o nos presenta en #VivaLa\u00d3pera un homenaje musical al reci\u00e9n fallecido contratenor brit\u00e1nico James Bowman, con los comentarios del maestro H\u00e9ctor Sosa.<\/p>\n","protected":false},"author":187,"featured_media":49259,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"wp_popup_display_lightbox":0,"wp_popup_suppress":"","wp_popup_trigger":"","wp_popup_trigger_amount":0,"wp_popup_disable_on_mobile":false,"footnotes":""},"categories":[48],"tags":[72,47],"class_list":["post-49258","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-viva-la-opera","tag-historia","tag-opera","category-48","description-off"],"_links":{"self":[{"href":"https:\/\/www.imer.mx\/opus\/wp-json\/wp\/v2\/posts\/49258","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.imer.mx\/opus\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.imer.mx\/opus\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.imer.mx\/opus\/wp-json\/wp\/v2\/users\/187"}],"replies":[{"embeddable":true,"href":"https:\/\/www.imer.mx\/opus\/wp-json\/wp\/v2\/comments?post=49258"}],"version-history":[{"count":0,"href":"https:\/\/www.imer.mx\/opus\/wp-json\/wp\/v2\/posts\/49258\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.imer.mx\/opus\/wp-json\/wp\/v2\/media\/49259"}],"wp:attachment":[{"href":"https:\/\/www.imer.mx\/opus\/wp-json\/wp\/v2\/media?parent=49258"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.imer.mx\/opus\/wp-json\/wp\/v2\/categories?post=49258"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.imer.mx\/opus\/wp-json\/wp\/v2\/tags?post=49258"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}