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Erick Zerme\u00f1o presenta en \u00a1Viva la \u00d3pera!, extractos de I due Foscari<\/em> la 6a \u00f3pera de Giuseppe Verdi, compuesta a los 31 a\u00f1os para el Teatro Argentina di Roma. No te lo pierdas.<\/p>\n @erickzermeno @Vivala\u00d3pera <\/p>\n SETLIST<\/b><\/p>\n Extractos de “I due Foscari” de Giuseppe Verdi<\/b> Acto I<\/b> 1) Aria y cabaletta de Jacopo Foscari “Brezza del suol natio”Canta Rolando Villaz\u00f3n, tenorDir. Gianandrea NosedaEstudio 2012 2) Cabaletta alternativa de Jacopo FoscariCanta: Luciano Pavarotti, tenorDir. Claudio AbbadoEstudio sesiones de 1978 y 1980 3) Aria y cabaletta de Lucrezia ContariniCanta: Montserrat Caball\u00e9, sopranoDir. Anton GuadagnoEstudio 1968 4) Aria de Francesco Foscari “Eccomi solo alfine”Canta: Piero Cappuccilli, bar\u00edtonoDir. Lamberto GardelliEstudio 1976 Acto II<\/b> 5) Romanza y cabaletta de Jacopo Foscari “Notte! Perpetua notte”Canta: Ram\u00f3n Vargas, tenorDir. Riccardo FrizzaEstudio 2012 6) Dueto Lucrezia y Jacopo (fragmento)Canta: Leyla Gencer, sopranoMirto Picchi, tenorDir. Tullio Serafin. En vivo Teatro La Fenice di Venezia, 1957 7) Terzetto “Nel tuo paterno amplesso” (fragmento)Mar\u00eda Vitale, sopranoCarlo Bergonzi, tenorGiangiacomo Guelfi, bar\u00edtonoDir. Carlo Maria Giulini, estudio Cetra 1951 Acto III<\/b> 8) Escena final de Francesco FoscariCanta: Renato Bruson, bar\u00edtonoMargarita Castro-Alberty, soprano chilenaDir. Armando KriegerEn vivo Teatro de la Zarzuela de Madrid, 1985<\/p>\n CONDUCTOR: Erick Zerme\u00f1o<\/p>\n INVITADO\/A: Ninguno<\/p>\n GRABACI\u00d3N: julio, 2023<\/p>\n TRANSMISI\u00d3N: 06 de julio, 2023<\/p>\n DURACI\u00d3N: 54′<\/p>\n MUSICALIZACI\u00d3N: Erick Zerme\u00f1o<\/p>\n PRODUCCI\u00d3N: Erick Zerme\u00f1o<\/p>\n Share on facebook Erick Zerme\u00f1o nos presenta en #VivaLa\u00d3pera un homenaje musical al reci\u00e9n fallecido contratenor brit\u00e1nico James Bowman, con los comentarios del maestro H\u00e9ctor Sosa.<\/p>\n","protected":false},"author":187,"featured_media":49074,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"wp_popup_display_lightbox":0,"wp_popup_suppress":"","wp_popup_trigger":"","wp_popup_trigger_amount":0,"wp_popup_disable_on_mobile":false,"footnotes":""},"categories":[48],"tags":[72,47],"class_list":["post-49073","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-viva-la-opera","tag-historia","tag-opera","category-48","description-off"],"_links":{"self":[{"href":"https:\/\/www.imer.mx\/opus\/wp-json\/wp\/v2\/posts\/49073","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.imer.mx\/opus\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.imer.mx\/opus\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.imer.mx\/opus\/wp-json\/wp\/v2\/users\/187"}],"replies":[{"embeddable":true,"href":"https:\/\/www.imer.mx\/opus\/wp-json\/wp\/v2\/comments?post=49073"}],"version-history":[{"count":0,"href":"https:\/\/www.imer.mx\/opus\/wp-json\/wp\/v2\/posts\/49073\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.imer.mx\/opus\/wp-json\/wp\/v2\/media\/49074"}],"wp:attachment":[{"href":"https:\/\/www.imer.mx\/opus\/wp-json\/wp\/v2\/media?parent=49073"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.imer.mx\/opus\/wp-json\/wp\/v2\/categories?post=49073"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.imer.mx\/opus\/wp-json\/wp\/v2\/tags?post=49073"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}Ficha t\u00e9cnica<\/h4>\n
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