{"id":34344,"date":"2024-03-03T01:01:49","date_gmt":"2024-03-03T07:01:49","guid":{"rendered":"https:\/\/www.imer.mx\/opus\/?p=34344"},"modified":"2024-04-04T21:16:40","modified_gmt":"2024-04-05T03:16:40","slug":"la-muda-de-portici-de-daniel-auber","status":"publish","type":"post","link":"https:\/\/www.imer.mx\/opus\/la-muda-de-portici-de-daniel-auber\/","title":{"rendered":"La muda de Portici, de Daniel Auber"},"content":{"rendered":"<figure>\n\t\t\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"533\" src=\"https:\/\/www.imer.mx\/opus\/wp-content\/uploads\/sites\/13\/LA-MUDA-DE-PORTICI-1.jpg\" alt=\"\" \/><figcaption><\/figcaption><\/figure>\n<h4>Sinopsis<\/h4>\n<p>La \u00d3pera en el Tiempo dedica el mes de marzo al compositor franc\u00e9s Daniel Auber y presenta &#8220;La muda de Portici&#8221;, \u00f3pera en cinco actos, a partir de un libreto de Germain Delavigne, revisado por Eug\u00e8ne Scribe. La \u00f3pera se basa vagamente en el alzamiento hist\u00f3rico de Masaniello contra el gobierno espa\u00f1ol en N\u00e1poles en 1647. En esta ocasi\u00f3n escuchamos una grabaci\u00f3n conducida por Thomas Fulton y protagonizada por Alfredo Krau, June Anderson y John Aler; acompa\u00f1ados por el Ensamble Coral Jean Laforge y la Orquesta Filarm\u00f3nica de Monte Carlo.<\/p>\n<h4>Ficha t\u00e9cnica<\/h4>\n<p>CONDUCTOR: Sergio Vela<\/p>\n<p>INVITADO\/A: Ninguno.<\/p>\n<p>GRABACI\u00d3N: marzo, 2024<\/p>\n<p>TRANSMISI\u00d3N: 03 marzo, 2024<\/p>\n<p>DURACI\u00d3N: Parte 1: 1 h 40&#8242; \/ Parte 2: 1 h 24&#8242;<\/p>\n<p>MUSICALIZACI\u00d3N: Sergio Vela<\/p>\n<p>PRODUCCI\u00d3N: Jes\u00fas S\u00e1nchez Maldonado, Mariel Cervantes<\/p>\n<h2>Emociona a otros con este contenido<\/h2>\n<h2><a href=\"https:\/\/www.imer.mx\/opus\/pagina-la-opera-en-el-tiempo\/\">P\u00e1gina de la  serie<\/a><\/h2>\n","protected":false},"excerpt":{"rendered":"<p>Continua el ciclo program\u00e1tico dedicado al compositor italiano Gaetano Donizetti, y presenta  Alina,  regina di Golconda \u00f3pera semiseria en dos actos con libreto de Felice Romani&#8230;<\/p>\n","protected":false},"author":172,"featured_media":34325,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"wp_popup_display_lightbox":0,"wp_popup_suppress":"","wp_popup_trigger":"","wp_popup_trigger_amount":0,"wp_popup_disable_on_mobile":false,"footnotes":""},"categories":[163],"tags":[47],"class_list":["post-34344","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-la-opera-en-el-tiempo","tag-opera","category-163","description-off"],"_links":{"self":[{"href":"https:\/\/www.imer.mx\/opus\/wp-json\/wp\/v2\/posts\/34344","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.imer.mx\/opus\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.imer.mx\/opus\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.imer.mx\/opus\/wp-json\/wp\/v2\/users\/172"}],"replies":[{"embeddable":true,"href":"https:\/\/www.imer.mx\/opus\/wp-json\/wp\/v2\/comments?post=34344"}],"version-history":[{"count":0,"href":"https:\/\/www.imer.mx\/opus\/wp-json\/wp\/v2\/posts\/34344\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.imer.mx\/opus\/wp-json\/wp\/v2\/media\/34325"}],"wp:attachment":[{"href":"https:\/\/www.imer.mx\/opus\/wp-json\/wp\/v2\/media?parent=34344"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.imer.mx\/opus\/wp-json\/wp\/v2\/categories?post=34344"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.imer.mx\/opus\/wp-json\/wp\/v2\/tags?post=34344"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}