{"id":28612,"date":"2021-11-04T21:00:15","date_gmt":"2021-11-05T03:00:15","guid":{"rendered":"https:\/\/www.imer.mx\/opus\/?p=28612"},"modified":"2025-03-07T20:15:05","modified_gmt":"2025-03-08T02:15:05","slug":"edita-gruberova-la-reina-belcantista","status":"publish","type":"post","link":"https:\/\/www.imer.mx\/opus\/edita-gruberova-la-reina-belcantista\/","title":{"rendered":"Edita Gruberova, In Memoriam a la reina de la noche"},"content":{"rendered":"

Homenaje a la soprano Edita Gruberova (parte I)<\/h2>\n
\n\t\t\t\t\t\t\t\t\t\t\"\"
<\/figcaption><\/figure>\n

Sinopsis<\/h4>\n

Erick Zerme\u00f1o presenta la primera parte de un homenaje a la soprano eslovaca Edita Gruberova (1946-2021), en la que disfrutaremos del repertorio barroco y mozartiano con una de las voces m\u00e1s espectaculares de la historia. Buon ascolto!<\/p>\n

\u00a0<\/p>\n

\u00a1Viva la \u00d3pera!<\/p>\n

\u00a0<\/p>\n

Setlist – Homenaje a la soprano Edita Gruberova (parte I)<\/p>\n

\u00a0<\/p>\n

Johann Sebastian Bach<\/p>\n

\u00a0<\/p>\n

1) Aria: \u201cWie freudig ist mein Herz\u201d – \u201cQu\u00e9 dichoso est\u00e1 mi coraz\u00f3n\u201d<\/p>\n

BWV 199 Cantata \u201cMein Herze schwimmt im Blut\u201d – \u201cMi coraz\u00f3n nada en sangre\u201d<\/p>\n

\u00a0<\/p>\n

2) Final: \u201cAlleluja!\u201d<\/p>\n

BWV 51 Cantata \u201cJauchzet Gott in allen Landen!\u201d<\/p>\n

\u201c\u00a1Aclamad a Dios en todas las naciones!\u201d<\/p>\n

Wolfgang Basch, trompeta<\/p>\n

\u00a0<\/p>\n

Dir. Helmut Winschermann<\/p>\n

Estudio 1980<\/p>\n

\u00a0<\/p>\n

Henry Purcell<\/p>\n

\u00a0<\/p>\n

3) \u201cSound the Trumpet\u201d<\/p>\n

\u201cCome Ye Sons Of Art\u201d – \u201cOde for Queen Mary II\u201d – Z. 323\u00a0<\/p>\n

\u00a0<\/p>\n

Georg Friedrich Handel<\/p>\n

\u00a0<\/p>\n

4) \u201cEternal Source of Light Divine from Ode for the Birthday of Queen Anne\u201d HWV<\/a> 74<\/p>\n

\u00a0<\/p>\n

5) \u201cLet the Bright Seraphim\u201d<\/p>\n

Acto III – Oratorio \u201cSamson\u201d – HWV 57<\/p>\n

\u00a0<\/p>\n

Winton Marsalis, trompeta<\/p>\n

Dir. Raymond Leppard<\/p>\n

Estudio 1984<\/p>\n

\u00a0<\/p>\n

Wolfgang Amadeus Mozart<\/p>\n

\u00a0<\/p>\n

6) \u201cOr sai chi l\u00b4onore\u201d<\/p>\n

Aria di Donna Anna<\/p>\n

Atto I – \u201cDon Giovanni, ossia il dissoluto punito\u201d K. 527<\/p>\n

Dir. Riccardo Muti<\/p>\n

Grabaci\u00f3n en directo del Teatro alla Scala di Milano 1987<\/p>\n

\u00a0<\/p>\n

7) \u201cVorrei spiegarvi, o Dio!\u201d<\/p>\n

Aria di Concerto K. 418<\/p>\n

Dir. Nikolaus Harnoncourt<\/p>\n

En directo Stefaniensaal, Graz, 1991<\/p>\n

\u00a0<\/p>\n

8) \u201cDer h\u00f6lle rache\u201d – Aria de la reina de la noche<\/p>\n

\u201cDie Zauberfl\u00f6te\u201d – \u201cLa flauta m\u00e1gica\u201d K. 620<\/p>\n

Dir. Bernard Haitink<\/p>\n

En estudio 1981<\/p>\n

\u00a0<\/p>\n

9) Dueto: \u201cWelch ein Geschick!\u201d<\/p>\n

Francisco Araiza, tenor<\/p>\n

\u00a0<\/p>\n

10) Aria de Costanze “Marten aller Arten”\u00a0<\/p>\n

\u00a0<\/p>\n

\u201cDie Entf\u00fchrung aus dem Serail\u201d – \u201cEl rapto en el serrallo\u201d K. 384<\/p>\n

Dir. Karl B\u00f6hm<\/p>\n

En directo. \u00d3pera de Munich, 1980.<\/p>\n

\u00a0<\/p>\n

___________<\/p>\n

Importante:<\/b> Todo el material incluido aqu\u00ed se presenta \u00fanicamente con fines educativos y de divulgaci\u00f3n cultural.<\/p>\n

__________<\/p>\n

.<\/p>\n

Ficha t\u00e9cnica<\/h4>\n

CONDUCTOR: Erick Zerme\u00f1o<\/p>\n

INVITADO\/A: Ninguno.<\/p>\n

TRANSMISI\u00d3N: marzo 2025<\/p>\n

DURACI\u00d3N: 54′<\/p>\n

MUSICALIZACI\u00d3N: Erick Zerme\u00f1o<\/p>\n

PRODUCCI\u00d3N: Erick Zerme\u00f1o<\/p>\n

Emociona a otros con este contenido<\/h2>\n

P\u00e1gina de la serie<\/a><\/h2>\n","protected":false},"excerpt":{"rendered":"

Disfrutaremos del repertorio barroco y mozartiano con una de las voces m\u00e1s espectaculares de la historia, en esta primera parte del homenaje a Edita Gruberova.<\/p>\n","protected":false},"author":184,"featured_media":28617,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"wp_popup_display_lightbox":0,"wp_popup_suppress":"","wp_popup_trigger":"","wp_popup_trigger_amount":0,"wp_popup_disable_on_mobile":false,"footnotes":""},"categories":[48],"tags":[64,47],"class_list":["post-28612","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-viva-la-opera","tag-mujeres","tag-opera","category-48","description-off"],"_links":{"self":[{"href":"https:\/\/www.imer.mx\/opus\/wp-json\/wp\/v2\/posts\/28612","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.imer.mx\/opus\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.imer.mx\/opus\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.imer.mx\/opus\/wp-json\/wp\/v2\/users\/184"}],"replies":[{"embeddable":true,"href":"https:\/\/www.imer.mx\/opus\/wp-json\/wp\/v2\/comments?post=28612"}],"version-history":[{"count":0,"href":"https:\/\/www.imer.mx\/opus\/wp-json\/wp\/v2\/posts\/28612\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.imer.mx\/opus\/wp-json\/wp\/v2\/media\/28617"}],"wp:attachment":[{"href":"https:\/\/www.imer.mx\/opus\/wp-json\/wp\/v2\/media?parent=28612"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.imer.mx\/opus\/wp-json\/wp\/v2\/categories?post=28612"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.imer.mx\/opus\/wp-json\/wp\/v2\/tags?post=28612"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}